Sinners Revolt
Rupert Neethling
They hated us for fighting back. Unforgivable, that. Gays, albinos and shunned wives should be easy prey. Lying down quietly and taking it was the least we could do, for our sin of existing.
It was summer, scant water, sand everywhere. Laughter and slaughter. The world. They did not want us in it.
One by one, from every corner, we who’d heard about it found refuge in a cave, halfway up a hill surrounded by hills.
There was fresh water at the back of the cave and we piled brush in front, always careful to wipe our footprints, coming and going. That was as far as our plans went, until we found Khuma.
Khuma had collapsed beside a dried-out acacia at the foot of our hill, legs streaked with blood and piss, her pelvis caked in red mud. Dragging her up the hill she seemed typical, just another reject, dribbling from the front and rear after getting herself gang-raped by soldiers, shot in the loins, then driven from her village by husband and kin for the crime of being violated. But her eyes, if you really looked: No horror there, no shame, no timidity. They were deep brown with slivers of amber. When you looked into Khuma’s eyes, a lion stared back at you.
We never discussed it. We were four used-up old women accused of witchcraft, two shy boys who liked each other’s bodies too much, and an albino, starving in a cave. By the time she could walk a few steps, Khuma had become our teacher.
She taught us how to read using an old newspaper. And how to set traps for spiny mice. She made our worlds bigger and she showed us how to survive without the laughing slaughterers.
We would still have been in that cave, staying out of sight, but for two things. First, there were the soldiers who every day came closer to finding our hiding place. And then there were the guns and bullets we’d found buried next to the spring at the back of the cave.
Before one of the soldiers shot her, Khuma had watched him load the magazine of his rifle, smack it in, and take off the safety. That she knew how to show us. That was enough.
Where did we find the courage to follow Khuma’s lead? Perhaps it was because she recognised the man who’d broken her, and we could not deny her. Or perhaps none of us much wanted to return to our respective hells that day. Either way, we had this one chance, and with her example, everything that followed seemed to happen without having to decide anything. We crouched behind outcroppings, waited gravely, and pulled our triggers as soon as Khuma did.
Half a dozen soldiers dead or dying in minutes, far below. Their blood black on green uniforms, bright clouds of flies appearing instantly.
I did not move afterwards; just stared at the bodies. I don’t think I would have picked up that gun, much less use it, if there had been more time to think. Killing someone, even a man who was coming to hurt you – there is no turning back. But they were gone and we were still there. Our ears were ringing, and I felt giddy, as if I had heatstroke. We never found out whether they had been looking for us or someone else.
The next day, though, there was no doubt that we were the ones being hunted. One of them had gotten away. We did not know that, and were unprepared for the swarm of soldiers and villagers who came for us just after sunrise.
I was away, digging among the rocks for anything that scurried or crawled. But I was close enough to hear and see my friends dying. Not before all the women were raped again, of course. This time, though, no limb remained attached, no face was recognizable. I only knew who was who because I watched as they were butchered.
My girl, you may think we achieved nothing by killing those soldiers. But that was the day when we fought for our lives. You stand up for yourself, or you learn how.
Now finish sharpening your knife. You stand first guard.
Otep Shamaya wrote this. First woman lead singer in heavy metal to come out.
Livestock
It began
With a pen
In my hand
Stabbed
In the center of chaos
To write out the light
That lives within me
That sought to break
The darkness
Eating me alive…
For hours I would sit
Dreaming, drawing
Writing, believing
My arm in a sling
One eye swollen shut…
Whispering
There would be a way out
There must be
A way out…
Focused
On the paper
On the floor
That held me
Heavy as a stone
In the corner
Of that tiny room
Floating on a river
Of Imagination…
Isolated
On my knees
Seeded in the soil
With girls
Younger than I
Holding their backs
Arching puffed bellies
Stuffed full with their
Infected children…
Celestial incest…
Terrestrial insects…
We slept in boxes
That doubled as coffins
Because
Some were smart enough
To die…
But not I
Stubborn little cyclops…
I
Was destined
To fight……
How something can be both so frenziedly vicious and epically rich is almost beyond understanding. Keep of Kalessin’s Armada appeals equally to the bitter old bastard and the fresh-eyed boy in me. I suppose the overlap is found in the speed of this metal — it is like a huge and bloody bolt of lightning. And yet on each track the compositional deftness shines through, as does the production quality. It’s Satan’s raging hardon in a filigreed copper sheath.
This album, in short, is a triumph on many levels. If you like your black metal to be both mean and musical, you’re going to listen to Armada often.
10 years before, these guys made an album called Maiastru Sfetnic. Then, in 2010, they remade it and called it Maiestritt. This may be the greatest album that Romanian black metallers Negura Bunget have ever made. Layered, searingly beautiful, majestic. Not a note wasted; just brilliant.
The almost classical compositions, the heartfelt roaring (I almost don’t want to call it screaming because it never seems pathetic, if you know what I mean), the creative instrumentation and refined power of this album make me return to it time and again. Maiestritt is masterful.
